Another film-to-stage adaptation joins the growing list of screen-to-musical adaptations, something that’s become increasingly common in recently and has reached its peak in 2025. But The Devil Wears Prada isn’t a revival, nor is it a straight Broadway transfer. This version debuts right here in London with an all-new score by none other than living legend Sir Elton John, aiming to reinvent the 2000s cult classic. It’s a bold move and one that’s already attracting big crowds at the Dominion Theatre.
Tackling a stage version of a film so closely tied to its star-studded cast (hello Meryl Streep, Stanley Tucci and Anne Hathaway) is no small feat. So, gird your loins as I step into a world where fashion reigns supreme, assistants hustle in heels, and everyone’s dressed to impress at Runway magazine.
Live your best red carpet moment
As I approached bustling Tottenham Court Road, there was no missing the Dominion Theatre – all lit up in red with quite possibly the biggest stiletto you’ve ever seen perched dramatically on the roof. Outside, a crowd was already gathering, no doubt a mix of theatre lovers, Elton John superfans and die-hard Devil Wears Prada fans, all on the brink of excitement.
Top tip: If you're as nosy as I am, walk by the side of the building to get a closer look at that iconic heel. You might just spot a cheeky detail on the sole, a scripted signature reading “That’s all!”
As I entered the Dominion, I couldn’t help but feel like I’d entered the temple of fashion runways and was finally having my moment on the red carpet. I paused to admire the glowing neon Runway sign above the doors, before heading up the stairs where mannequins in jaw-dropping ball gowns are on display. A full-on fashion moment, and the show had not even started yet.
Meryl who? Meet the London stars
The opening scene wastes no time setting the tone: the Runway team storms the stage in full frenzy, wheeling racks of clothes, shouting over one another and scrambling in high-fashion chaos as they brace for the arrival of the one and only Miranda Priestly. And what an entrance it is, full of drama, attitude and sharp heels, set to the slick and bold tune “House of Miranda” before closing with that iconic mic-drop: “That’s all.” My reaction? Obsessed. What. An. Entrance.
Vanessa Williams takes the reins as Miranda Priestly – nailing the icy stare and deadly one-liners, bringing her own sass and presence to the role. Swapping one fashion empire for another (yes, I did get Ugly Betty flashbacks), she steps into Miranda’s heels like she was born for it. Dressed to kill in razor-sharp looks, throwing glares that could freeze time, and belting out notes with vocals through the roof – this reimagined version of Miranda is bold and fierce.
Amy di Bartolomeo, best known from Six the Musical, absolutely lights up the stage as Emily, aka Miranda’s overworked, attention-hungry first assistant. She kicks off the show with a show-stopping entrance – very much like she’s on a catwalk – phone glued to her ear and rocking a Chanel-like outfit while snapping selfies in front of the neon Runway sign. It’s chaotic and absolutely hilarious. Di Bartolomeo’s performance had me laughing out loud more than once, with powerhouse vocals that earned her a very well-deserved 2025 Olivier nomination. By the time the interval came, I was officially 100% Team Emily.
Georgie Buckland, playing Andy, makes her West End debut in a daring performance – going from fresh graduate still clinging to her college rags to someone trying hard to fit into a world that feels more like a never-ending catwalk than the high-stakes journalism gig she was dreaming of. I chuckled along as Andy experimented with her style, stumbling across the stage in heels far too high for a first try, clearly uncomfortable in outfits that aren’t her. That is, until Nigel steps in and puts an end to this fashion drama, delivering a full-on makeover masterclass all set to the fabulous number “Dress Your Way Up”.
Buckland puts on a masterclass, belting out high pitch note that startled me and had me thinking she’s on track to becoming a real West End regular. Keep an eye out for Andy’s final look as she steps into the dark side of fashion at Paris Fashion Week, the Eiffel Tower sparkling in the background, and comes to realise that somewhere along the way, she’s lost sight of who she was… and that maybe it’s time to stop with the backstabbing.
Fashion on the show: a costume extravaganza
Let’s be honest, this show had to deliver on the fashion front and nothing less. From the start, spectators are presented with a full-on feast of haute couture moments that fans of the film will be hunting for, and let’s just say: sharp tailoring and jaw-dropping looks do steal the spotlight!
Miranda Priestley’s powerful aura is brought to the next level thanks to Pamella Roland’s costume designs with timeless embroidered ensembles and sleek power coats catching everyone’s attention whenever she enters the stage. Whether it’s a bold red sequined ballgown catching the light or structured crepe suits, Vanessa Williams wears each outfit like a true girl boss: glamorous and ice-cold chic.
One of the standout scenes in Act One is Andy’s full transformation moment. Going from a clueless rookie in outdated outfits to a polished assistant in sleek designer clothes, it all happens in a blur. We hardly recognise the new Andy – needless to say it’s time to say goodbye to the iconic cerulean jumper! Nigel steps in like the fairy godmother of fashion, leading Andy through a whirlwind of assistants spinning around her in a rainbow of fabrics and couture chaos, all to the electrifying anthem “Dress Your Way Up”. It’s Elton John at his pop-rock finest, and yes, it will get stuck in your head.
Later, Runway magazine hosts an exclusive, Met Gala-style bash, and Andy, fully glammed-up, arrives to steal the show and come to Miranda’s rescue. It’s her golden ticket to Paris Fashion Week, much to Emily’s horror as her own fashion dreams go up in smoke. The ball is a devilishly decadent moment set against New York’s glittering skyline, a high-glamour scene celebrating the biggest names of fashion that gives us a taste of just how savage the world of couture really is.
Hollywood film versus stage musical
Can turning The Devil Wears Prada into a stage musical really do justice to the millennial cult classic and time capsule of 2000s fashion chaos we all know and love? Fans of the movie can rest assured that the theatre version stays accurate to the original storyline, with plenty of most beloved scenes making it to the stage. It doesn’t stray far from the script, but turns up the volume on drama and sass just the right amount to bring this classic under a new spotlight.
One stand out moment sees Miranda’s iconic cerulean jumper monologue, the scene often branded as the holy grail of fashion takedowns. When Andy dares to scoff at the world of accessories, Miranda follows with a pitch-perfect tirade on the blue jumper, reminding us that it’s not just blue… not turquoise, not lapis… it’s actually cerulean. And no, it’s not just… stuff. This scene, as iconic as the movie, was one of the key moments of the show, demonstrated by other audience members whispering along to the monologue and giggling at their favourite scene.
Final verdict
One thing’s for sure – The Devil Wears Prada knows how to put on a show, whether it’s streaming at home or strutting across a West End stage. The musical adaptation brings a whole lot of glitter, sass and sky-high heels, capturing the hearts of fashionistas and die-hard fans alike. Expect laugh-out-loud moments, standout vocal performances and a serious dose of shopping spree incoming. It might not reinvent the musical genre, but it definitely delivers a fabulously fun night out – with all the drama and fashion. That’s all!
Get your tickets for a fabulous night out at the Dominion Theatre and its crowd-pleasing The Devil Wears Prada musical. The show is currently showing until January 2026.
Make the most of your visit
- Arrive early and soak it all in: We recommend getting to the Dominion Theatre at least 30 minutes before showtime. There's a lot to take in! Snap a selfie in front of the theatre’s unmissable giant red stiletto and stroll down the red carpet inside.
- Treat yourself: Upgrade your night with a hospitality package. The Champagne Experience includes a glass of bubbly, souvenir programme and Häagen-Dazs ice cream. Want to go all out? Opt for the Royal Lounge Experience, complete with a private lounge, cloakroom access, nibbles, champagne and your own souvenir goodies.
- Grab a quick bite before the show: Feeling peckish? Tottenham Court Road is full of options. Head to Arcade Food Hall and take your pick from Cantonese, Indonesian or Mexican bites – and more! – all under one roof.
- More time to spare? Try Vapiano for fresh, made-to-order Italian dishes cooked right in front of you. Fancy something different? Head to Uzumaki London, a Japanese fusion spot serving up sushi, ramen and anime-themed vibes in an immersive setting.