Sadler's Wells
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About Sadler's Wells

Sadler's Wells is the premier London venue for touring ballet, dance and opera, attracting international companies of worldwide acclaim. The new theatre is a landmark in theatre design.

Sadler's Wells Address

Address:
Rosebery Avenue, London
London
EC1R 4TN
Telephone: 0844 4124300
Fax: +44 (0)20 7863 8199
Email:
Website: http://www.sadlerswells.com

Location Information for Sadler's Wells

Address:
Rosebery Avenue, London
London
EC1R 4TN
Telephone: 0844 4124300
Fax: +44 (0)20 7863 8199
Email:
Website: http://www.sadlerswells.com
Public transport: Angel, London Underground

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Reviews of Sadler's Wells

Visit London review of Sadler's Wells

Reviewed by: Visit London
London's number one venue for dance hosts an incredible year round festival of visiting productions from some of the world's best dance companies. From Tango to tap, flamenco to fox trot, you'll find it all in glorious Technicolor at Sadler's Wells. The theatre also has a programme of child friendly performances and occasionally holds special family weekends.
 

Events at Sadler's Wells

  • Adam Cooper's Shall We Dance

    Performance

    23 Jul 2009 to 30 Aug 2009

    See Adam Cooper's Shall We Dance, a tribute to the music of Richard Rodgers, at Sadler's Wells in London. 23 Jul-30 Aug

     
  • New Adventures: Matthew Bourne's Dorian Gray

    Performance

    7 Jul 2009 to 19 Jul 2009

    Matthew Bourne's Oscar Wilde adaptation returns to London's Sadler's Wells this summer. 7-19 Jul

     
  • Flamenco Sin Fronteras

    Performance

    1 Sep 2009 to 5 Sep 2009

    Paco Pena has thrilled audiences for many years with his masterful flamenco performances, famed for their passion and authenticity. This season the legendary flamenco guitarist returns to the Sadler's Wells stage with his brand new show Flamenco sin Fronteras, inspired by the diverse sights, sounds and cultures of Latin America.

     
  • Johnny Johnson

    Musical

    14 Jun 2009 to 12 Jul 2009

    Kurt Weill's first American musical, mixing satire, sentiment and surrealism, was too much of a good thing to be a Broadway hit. But all the critics agreed that this anti-war fantasy had an extremely rich and complex score, including cowboy ballads, French music-hall, American vaudeville, and, of course, Weill's own mordant, sinister, and heartbreaking style. Combining broad comedy and droll wit, this is a one-of-a-kind period piece and a treasure trove of gorgeous melodies.