Bram Bogart: Witte de Witte at Saatchi Gallery


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SALON is delighted to announce its second exhibition, a presentation of works by the acclaimed Belgian painter Bram Bogart, staged in collaboration with Vigo Gallery, London. While Bogart is an artist associated with bold, thickly physical colour, Witte de Witte is comprised of nine rare monochrome or near monochrome works executed between 1952 and 2006, which, taken as a group, illustrate the artist's dramatic and unique contribution to the canon of modernist painting. Bogart, who died aged 90 in 2012, first worked towards an all white picture in a series of semi-representational paintings he completed in the South of France in the late 1940s. These works were a response to the light and dust of the Mediterranean, and also the chalkiness of local buildings. Originally trained as a house-painter, Bogart approximated the walls' rough matte finish by mixing poster paint to his oils and letting the paint peel off to suggest exposure to the elements. Beginning in the late 1950s and expanding in the opening years of the 1960s, Bogart developed a new resolution of gesture and material. He met Willem de Kooning, and his paintings acknowledged the all-over structure and expansive scale associated with American Abstract Expressionism. Like Jackson Pollock, after 1960, Bogart painted on the floor, using a mix of oil, siccative, powdered chalk, varnish, and raw pigment applied to heavy wooden supports to 'build' his works. When viewed upright, Bogart's slab-like pictures hold themselves together in way that actively denies gravity. One of the earliest works in the exhibition, Differentes (1954) demonstrates the ever-increasing weight of material, a tendency toward thicker impasto and a more aggressive facture that would become Bogart's mature style. Later works, such as Witte de Witte (2002) or Sunday Mornings (2007), are not illuminated by an illusion generated within pictorial space, but by a real and ever-changing display of light and shadow playing out across their surface accretions. The show also includes Fete Javel and Zinc Jardin, both from 1960, and considered masterpieces by the artist. By presenting work from the breadth of Bogart's oeuvre, Witte de Witte allows the viewer to trace his artistic influences - from the asceticism and rigor of Piet Mondrian, to the atmospheric landscapes of Constant Permeke and exuberant brushstrokes of Van Gogh - as well as Bogart's technical development and achievement over a more than fifty-year period.

Venue Details & Map

The Saatchi Gallery

Duke of Yorks's Building
Kings Road
+44 (0)20 7823 2363
Public transport:
Tube: Sloane Square Train: Sloane Square

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