Sculpture has a reputation as a difficult art, but nothing could be further from the truth. While it certainly makes demands on the mind, it also moves the body. It can engage the beholder in profoundly physical ways that frame our thoughts before they are even formed. In this course, we will explore this sensory and intellectual appeal by examining sculptural techniques, the significance of materials, texture, and colour, and a fascinating mythology that ranges from the automatons of Hephaistos, to the tales of Pygmalion and the Golem. Drawing on the ideas of writers like Pliny, Herder, and Rosalind Krauss, we will investigate different ways of thinking about sculpture. Above all, we will listen to the voice of the sculptor. Cellini, Hildebrand, and Louise Bourgeois, for example, have all spoken about their art. During the week, these ideas and themes will be pursued through a broadly chronological structure running from ancient through to modern art. There will be visits to the British Museum, The Victoria and Albert Museum and Tate Modern, as well as the opportunity to experience public works in situ. This course is a journey through the art of sculpture: five days, forty sculptures, three collections, and the streets of London.