Royal Academy Of Music

About Royal Academy Of Music

The University of London is a federation of more than 40 Colleges and Institutes, ranging in size from small specialised institutes to large multi-faculty colleges. Royal Academy Of Music is Britain's senior conservatoire with a studentship drawn from around the world. A member of the University of London, it offers Graduate and Postgraduate degrees in musical performance. Its Church Music and Choral Direction department was founded in 1987.

Royal Academy Of Music Address

Address:
Marylebone Road
Regent's Park
London
NW1 5HT
Telephone: +44 (0)20 7873 7373

Location Information for Royal Academy Of Music

Address:
Marylebone Road
Regent's Park
London
NW1 5HT
Telephone: +44 (0)20 7873 7373
Public transport: Baker Street, Underground

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Royal Academy Of Music

Events at Royal Academy Of Music

  • Academy Baroque Orchestra: Bach at Royal Academy of Music

    Classical Music

    25 Mar 2012

    JS Bach Nimm von uns, Herr, du treuer Gott, BWV 101 (Take from us, Lord, Thou faithful God); O Ewigkeit, du Donnerwort, BWV 20 (O eternity, O word of thunder). Bach first performed his ‘Nimm von uns, Herr, du treuer Gott’ at Leipzig on the tenth Sunday after Trinity in 1724. Its text is based on a hymn by Martin Moller. The hymn’s associated melody, ‘Vater unser im Himmelreich’ features in all but the second of the work’s seven movements. The prevailing mood of the cantata is one of austerity and this is established in its powerful, motet-like opening chorale fantasia, richly scored for trombones, cornett, flute, two oboes, oboe da caccia, strings and basso continuo. With his performance at Leipzig in 1724 of ‘O Ewigkeit, du Donnerwort’ Bach inaugurated his impressive and original cycle of chorale-based cantatas. The librettist based his text on Johann Rist’s seventeenth-century hymn from whose imposing first line the cantata takes its name. Justice, repentance and the implications of eternity are the central tenets of this spaciously laid out work. Bach’s declamatory opening chorale fantasia is cast in the form of a French overture in which the voices take part both in the characteristic introductory and concluding ‘Grave’ and in the centrally placed, fugal ‘Vivace’. Later on Bach vividly illustrates the Last Judgement with ringing trumpet calls.

  • Academy Baroque Orchestra: Telemann at Royal Academy of Music

    Classical Music

    16 Mar 2012

    A classical performance of works by Telemann: Suite in D for violin, strings and basso continuo, TWV55:D14; Concerto in C for treble recorder, TWV51:C1; Concerto Grosso, TWV52:G1

  • Academy Big Band: Keith Nichols at Royal Academy of Music

    Classical Music

    13 Mar 2012

    This year’s early jazz concert with Keith Nichols is devoted to the ‘symphonic’ popular music of Paul Whiteman, director of the most prestigious 1920s dance orchestra. Using original band parts, the programme will feature a rare 1928 score of Gershwin’s Rhapsody in Blue and other orchestrations that originally incorporated the talents of Bix Beiderbecke, Bing Crosby and the Dorsey brothers.

  • Academy Brass: The Manchester Set at Royal Academy of Music

    Classical Music

    16 Mar 2012

    A classical performance of works by John McCabe: Rounds; Peter Maxwell Davies: Sonata in D for trumpet and piano; Robert Peate: new work (world premiere); John McCabe: Desert II: Horizon; Harrison Birtwistle: Chorale from a Toyshop; Peter Maxwell Davies: Sea Eagle; and Elgar Howarth: The American.

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