Danielle Arnaud Contemporary Art
About Danielle Arnaud Contemporary Art
The gallery was created in 1995. It encourages artists to develop their practice without the constraints of market or trends through a programme of curated exhibitions, solo shows and projects, both within the gallery and the public realm.
Danielle Arnaud Contemporary Art Address
| Address: |
123 Kennington Road
London
SE11 6SF
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| Telephone: | +44 (0)20 7735 8292 |
Events at Danielle Arnaud Contemporary Art
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Frances Burden Project at Danielle Arnaud Contemporary Art
Art9 Mar 2012 to 18 Mar 2012
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Topophobia at Danielle Arnaud Contemporary Art
Art13 Jan 2012 to 19 Feb 2012
The fear of place and the manifestation of this in contemporary art is the territory for Topophobia. As an anxiety disorder, this phobia is understood as an irrational dread of certain places or situations, yet, considered as a cultural phenomenon topophobia connects us to the existential human question of how each of us finds our place in the world. The exhibition and related publication take a look at the representation of place and space as threatened or threatening. Topophobia is a group show featuring the work of ten UK and international artists. The range of media and approaches is wide. Anne Eggebert makes detailed drawings derived from images on Google Earth; Matthias Einhoff uses high-end corporate video techniques to make a spectacle of an urban wasteland; David Ferrando Giraut creates a state of anxiety with his filmic pan of the aftermath of a car accident; Polly Gould constructs distorted topographical watercolours reflected in the surface of a globe; Marja Helander depicts herself out of place between her two cultures of contemporary Finland and Sami nomadic heritage; Uta Kogelsberger reveals uncanny night visions of urban and desert America in her photographs; Almut Rink appropriates the 3D software used by architects to take the viewer on an imaginary journey in a virtual space; Abigail Reynolds exposes disjointed time and place in her use of old book illustrations in collages and assemblage. Emily Speed houses her body in a fortress made from shutters; and Louise K Wilson uses sound derived from her work at a previously top secret Cold War testing site.


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